«A bridge between idea and visibility, Earthly and Heavenly»
oil on canvas
The fascination for that which is present can never be
as great as for that which is absent.
A landscape “lives” in us the same way as we “live” in it.
How to create a “Great Image”?
If an image is concrete and has any kind of form, it cannot be a “Great Image”.
What is wind? It has a status of the efficacious and evanescent and
is the invisible that allows us to experience the sensible.
Painting makes us “touch” the invisible.
The tonality "as if"